Are you a lawyer? Need More Clients?

Make this Website your own! Rent it! You can put your own content on the site. E-mail Me Now!

Archive for October, 2009

No matter where you live in Southern California, from San Diego to Orange County, CA from Rancho Cucamonga or Ontario to Palm Springs, Palm Desert or Indian Wells, the law is the same for everyone because copyright law in the U.S. is governed by international treaties and administered by the Library of Congress.

While everything you write down is automatically protected by copyright treaties that countries like the U.S. have signed, there’s a reason why the same does not apply to words you speak. Otherwise, this would be the result.

Children at school would face this dilemma:

“You hit me harder than I hit you,” one child would say.

“No, you hit me harder than I hit you,” the other would reply.

“You can’t say that,” the first child would say. “I already have that phrase copyrighted. You just infringed my copyright. You owe me big time.”

“You just infringed my copyright on ‘You owe me big time,’ the second child might respond. “Now you’re in big trouble.”

“But you just infringed my copyrighted phrase, “Now you’re in big trouble,” the first child might respond. I said that in second grade. “Just how many times have you said my phrase?”

At this point, the second child would be wise not to say anything further before talking to an attorney.

A whole law firm of lawyers would probably have to be called in, the school might be named as a defendant for not warning the school children not to infringe other children’s copyrighted phrases, and its very possible that parent’s fortunes could be at risk if their children were not insured against copyright infringements.

In bars and nightclubs the results could be even more disastrous.

“What’s a nice girl like you doing in a place like this?” a man might ask a woman.

At which point the woman would probably start calling an attorney on her cell phone who would notify the man of how much he would need to pay for using that line.

If the man followed up his initial approach with, “You look familiar. Haven’t I seen you before?” the damages he would have to pay to settle the copyright infringement case wo 1000 uld be double.

Even lawyers would not be immune to such results.

Every time a lawyer stood up in court and uttered the usual “Objection,” damages would have to be paid to someone.

The jury member who announced to the court at the conclusion of a case, “Not guilty, your honor,” would also have to fork out some money.

And while the words you write down may be copyrighted, individual words and common phrases are not owned to the exclusion of everyone else.

What is protected by copyright are literary works, i.e. books, music, plays, even advertising. A slogan that is used in advertising may also be a trademark or can be protected by obtaining a trademark.

If you would like more information about copyrights or trademarks, we invite you to visit our website.

By: R. Sebastian Gibson

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

La Quinta, Garden Grove and Corona Del Mar California Copyright …

If you have a copyright or intellectual property matter in Orange County, San Diego, in the Inland Empire, Palm Springs or anywhere in Southern California

California Copyright Lawyers – What You Can Copyright And What You …

California Copyright Lawyers – What You Can Copyright And What You Can’t No matter where you live in Southern California, from San Diego to Orange.

 Mail this post

Technorati Tags: ,

Copyright lawyers have any number of challenges in the online world of the World Wide Web. The ability to copy and distribute digital media, including text, music and images, all of which may be copyright protected, allows for infringement to occur at a seemingly unstoppable rate. As is noted by so many commentators, however, copyright holders get the benefit of having their works seen in ways and in numbers that were simply not possible before the Internet.

Music has provided some interesting lessons. Some musicians and the RIAA (Recording Industry Association of America) have aggressively pursued end-users who download copyright protected music in ways few anticipated. It used to be believed that it was simply impossible to try and stem the tide of illegal music downloads. Why try? But some in the music industry took up the challenge and devoted tremendous financial resources to pursue music copyright infringers.

Others in the music industry saw the Internet as an opportunity. They encouraged the free downloading and sharing of their songs, essentially providing a limited (not for resale) license to virtually anyone that wanted to download their MP3 onto their iPod, cell phone or computer. As a result, they were able to achieve distribution levels that took them from obscurity to relative fame. These music copyright holders often saw their CD sales skyrocket to unprecedented levels. Moreover, many made multiples of what they would have otherwise made at lucrative concerts which brought attendance levels that could never have been achieved without encouraging viral MP3 downloads.

As a copyright lawyer watching the market from within and representing musicians at both ends of the spectrum, I would make these observations. Every musician needs to decide for themselves which approach works best for them, but they should do so based on information. Too often, music copyright issues are addressed without properly analyzing the opportunity. Money and resources are devoted to pursuing protection against just about everyone, without considering all the options.

The real scofflaws for many musicians will be those who are trying to profit off of their works on the Internet, not those fans who are downloading for free. By drafting their copyright notice in a way which precludes monetization of the copyrighted works, they are put in a position where they can go after those who are illegally profiting from their copyrighted works from their copyrighted music, while leaving their fans free to download, share and promote their music as part of the social networking phenomena on the web.

Enrico Schaefer is a copyright lawyer, specializing in intellectual property matters and on-line protection. Go to his website to learn more about copyright law or to contact a copyright infringement lawyer directly for a free consultation.

Author: Enrico Schaefer

Universal Music Prevents Popular Play From Showing In Stockholm …

As the major record labels and their lawyers and lobbyists run around the globe demonizing anyone for any sort of copyright infringement, we keep hearing stories of how they falsely claim rights over

unfit blog – Music Copyright Myths and Royalty Free Music

Unlawful use of even a short excerpt from a song is enough to land you in a copyright infringement case. Don’t believe anyone who tells you otherwise, unless he is a copyright attorney! Remember

2009, the Year in Music Copyright Litigation – Bizmology: Business …

2009, the Year in Music Copyright Litigation Bizmology: Business Insight and Opinions from Hoover’s Editors In 1997, the Rolling Stones were forced to share songwriting credits with kd lang

 Mail this post

Technorati Tags: ,

Everything You Need To Know About A Copyright Lawyer

Copyright lawyers deal with many different subjects such as Internet law, intellectual property, patents and trademarks, and of course, your copyright laws. Each lawyer has attended school for some time to get a degree to help you, which means they know more about the law than you do.

Some mistakes website owners make is when they buy articles online; many times a buyer assumes they have full copyright. This isn’t always the case, depending on the agreement of ownership. To make sure you don’t fall into this trap, you should have a lawyer create a contract before you hand over any money; this way you know for sure if you have full ownership or if the writer does. You have three different categories you may purchase an article: usage, full, and unique. A copyright lawyer will explain exactly what each one means. Usage means the buyer gets to use the article one time, but the writer can use it again or resell it. Full rights will give the buyer all rights; they can even place their name on the article, saying they wrote it.

A copyright lawyer will never tell you that you don’t have to register your copyright; in fact they will encourage you to do it. Sure, they get money to do it for you, but you will have documented proof of your copyright ownership. If you don’t file it, you can’t sue if someone uses your information. (To learn more about copyrighting your work, download my free ebook, “Copyright Basics,” at http://www.ResearchCopyright.com).

A copyright lawyer is not cheap. Most copyright lawyers will have special discounts on packages, which mean you can get a lot more than what you originally walked in for. Usually your lawyer will even advise you of things you didn’t even have knowledge about.

A copyright lawyer can help you better understand the laws of the virtual world, as well as the real world. Every day someone new is getting sued over content on the Internet. It can be as simple as someone stealing an article, quote, song or a picture. A big issue is using another company’s name in your tags to get the search engines to rank you higher. Other issues may be with bloggers today. Be careful with what you say about your places of business; not only could you get in trouble for any copyrighting issues but slander is another big issue.

Many people only look for a copyright lawyer when they want to copyright something or sue someone, but they normally don’t think about hiring a copyright lawyer when they are being sued. This is definitely the person you want on the job defending you if the time comes. Before you hire a copyright lawyer, if you have any other questions call them up and ask them. Lawyers love to give advice, especially if they think you’ll be hiring them.

Copyright Lawyers in the U.S.

A US copyright lawyer can help anyone in the United States, as they know U.S. copyright laws and the best ways to fight them. A US Copyright Lawyer protects you. A US copyright lawyer files a copyright, advises you and helps you get back what was once yours, and sue someone. If you are an American or someone currently living in the United States, you will be able to hire a US copyright lawyer; however, if you reside out of the States, you may have restrictions.

In the Internet world copyright issues are becoming a big thing and having a US Copyright lawyer behind you can help if you need to fight against someone stealing your work. Copyright lawyers must stay current in recent rulings dealing with copyright issues, which mean they know their job. Don’t just stick with a lawyer you already had because you’ve used them before. They may have been great at your car accident or your divorce, but for copyright issues, you need a lawyer who deals with copyright laws. A US copyright attorney can also help you to retrieve money, even if you never filed the copyright until after it was stolen or online. This can get a bit tricky to prove, however if you have a good lawyer, this shouldn’t be a problem.

A US copyright lawyer can help you copyright your work; it costs $20 to file a paper to get the copyright on your work. This does not mean there is a one time fee of $20 and all your work is safe. Y must do this with all your work. You are paying per piece. In the future if you need to sue someone for using your content, the violators can end up paying $35,000. A US copyright lawyer can help you with this if you live in the United States.

Your US copyright lawyer may have dealt with people stealing content, or maybe celebrity pictures. Recently a big name celebrity had her pictures leaked on the Internet. She sued the people who were spreading them, and it suddenly stopped. All those websites that had the pictures on them were asked politely to take them down since they were copyrighted. That’s what a good US copyright lawyer will do; he/she will be able to prove their case because they know the law. They will have to show proof of when something was taken, said, or documented. In the case of pictures, she was able to show she had the proofs and she had no agreement for anyone to use them.

Copyright laws have been changing since 1976; however, copyright laws change as our technology advances. Lawyers and judges know our needs and are learning every day how to protect them and in order to do that laws are passed and the copyright laws are updated. Granted laws may be different in other countries but the chances are if it happens on US soil, the best representative would be a US copyright lawyer because they have been studying ever since law school.

by Richard Cunningham

Copyright Law Blog: Exclusive Rights

A copyright law blog covering litigation, policy and academia.

Copyright Lawyer: Newspaper Biz Wrong To Charge Non-Profits For …

He argues in a report (pdf) that the new NLA licence—which in January is extended to cover the online distribution of news articles—is incompatible with copyright law because non-commercial sharin …

Copyright Law Update: Getty Images case – part 2 | Strickland …

In our post of yesterday, we reported on a copyright infringement case brought by Getty Images that has provoked debate from those who question whether Getty.

 Mail this post

Technorati Tags: ,

Do you see the image above the text? I chose it without the artist’s approval from this website but traced the origin of the image back to this website. Should I feel guilty about it? I’ve done it hundreds of times before. If I stand guilty of this crime, I stand guilty of many others too.

I’m going to go out on a limb here and assume I’m not alone. The Internet is a vast cauldron of video-sharing, link-sharing, knowledge-sharing, and yes, image-sharing. The spirit of the Internet seems to be that of a free culture. We are less concerned with property rights in cyberspace, and more concerned with community and conversation.

I’m writing this essay because I want to know what are the claims to ownership on the Internet. Nobody seems to know the answer to this question. There is no absolute law we can refer to. And if there is an absolute law, then the spirit of the Net seems to challenge that rule, provoke the law, even mock its upholders. But there are also some of us who place a high value on the individual and therefore demand the individual know her work is being shared; we must ask her approval.

If getting an artist’s approval to post her image on my site is necessary and universal, then I should probably go back and obtain a plethora of approvals. Surely some will not be granted and then I must find another approval and another. Does it seem to you that this is the way things work on the Net? Or do people merely take what they like (like myself) and showcase it. Keep in mind in no way am I trying to pass off these images as my own. In fact, I credit the artists here. But I do not go so far as to ask each and every one of them if I can post their pictures. Many are in fact dead.

The Internet poses this contradiction. We recognize that file-sharing is rampant and that the wheels and cogs of the Web involve a dissemination of information; and yet we also feel the twinge of our old system of rights, copy rights, property rights, etc. To what extent is cyberspace a common space? And to what extent is it privatized? At what point should one say, “No, that’s not yours; that’s mine. I know I put it out there for all of you to see, but I only wanted it to appear on my site and not anyone else’s.”

Luckily nobody has ever said this to me. And if they wanted their image taken down, I would immediately do so. But I do not feel the need–in this wave of free-culture dissemination–to ask each artist for the approval to use their image.

I was provoked into writing this essay because of a post on a favorite blog of mine. The article, entitled “How to use Hyperlinks in Blog Fiction” didn’t specifically address copyright, but the nebulous area of Internet copyright turned up in the comments.

Bekah, a blog fiction writer, wrote:

“Yes, linking to things should be fine, although not if you pretend it’s your own work. But otherwise, of course that works. But putting non-stock images in blogs– definitely a copyright infringement, even if you give credit. It is true that a lot of illegal activity occurs on the web, but it’s also true that many lawsuits have followed. This isn’t likely in any case, but I don’t want to get near that.”

I don’t know much about the “many lawsuits” of Internet copyright law. What I’m more familiar with is the excess of abuses of copyright law. Especially surrounding file sharing. In the music industry in particular, copyright law is bending toward the file-sharers’ favor. Apple has removed the copyright protection on its mp3s and the music industry has publicly declared that it will no longer sue individual file-sharers.

Bekah continues:

“That being said, I don’t think it’ll ever be okay to post someone else’s picture on your blog without permission, but I don’t think that anyone is suggesting that you can or should do that.”

Now, artists who do not want their images shared take precautions. Some photos on Flickr for example will not copy to your hard drive because the artist has formerly set restrictions on them. In this case, it is impossible for me to copy them and the issue is moot. But what about in the cases where I can copy people’s pictures. Is it wrong?

Another blogger, who runs an art blog called Vince’s Ear, writes:

“Well, Chris that’s an interesting question because copyrights and copyright law can be interpreted in a number of different ways, including in the courts. The main thing for me to know is something called “Fair Use.” I won’t be able to sell a copyrighted image in any certain form, but I can perfectly legally display the image on my site for educational purposes.”

He goes on to say:

“Sorry for such a long response but I’d mainly say if a blogger is just putting images on a site, there is no need to worry at all, it’s Fair Use. If you were to print and sell the Novel of Life, make sure any illustrations are in the Public Domain, or you have permission if they’re not.”

I consider my writing educational and therefore the “Fair Use” clause may apply to me. The educational purpose behind this essay (and its adjoining image) is to make people think. But I must be honest here. I pick the images for aesthetic reasons mainly. This reflects a deeper attitude I have about the Internet, art, and information.

I suggest we are entering a new model of human relations, one based on the macro level of exchange, not the micro level. The individual will benefit from this system just as she benefited from the old system; she may even benefit more. When information/art/work is shared by the media, libraries, universities, publications, and organizations more fluidly and freely, there is less emphasis on individual compensation and more on communal benefit. Pictures, photographs, and images are floating around everywhere. If you wanted to track down every “thief” who re-posted an image on the Internet, you would be swimming against the current not with it. The current is in favor of shared knowledge and shared art.

It will take us some time to re-imagine ourselves with fewer boundaries. Because that’s what this all points to. The boundaries are dissolving all around us, geographical, political, cultural, racial, economic. The mutual exchange of ideas, images and texts will benefit us all, as it already has. We will only see this when we see it as giving work/information/art to each other, rather than taking it.

I am an artist myself. I write novels. But I’ve chosen not to pursue the path of traditional publishing (A) because it is crumbling and (B) because I feel I am part of a different economic model. I’d rather give my content away for free. What is a publisher but a protector, someone to handle my money? I don’t need a publisher. What I need is an audience. When I find an audience, I will get paid by myself.

The tectonic plates are shifting. We will soon come to realize that the proliferation of an artist’s work is worthwhile to everyone, artist, community and God. (I don’t believe in God but I think He will benefit too.) So called “property rights” in an online world is a chimera.

Silvio Gaggi’s scholarly work elucidates these truths. In From Text to Hypertext , the distinction between print and online worlds is made evident:

“Walter J. Ong argues that ‘print creates a new sense of the private ownership of words’ and that a ‘resentment at plagiarism’ develops with writing. Hypertext, in contrast, reinforces a sense of learning more as a communal than an individual endeavor. It creates situations in which individual contributions are likely to get lost within the conversation as a whole, and it creates new kinds of communities emancipated from physical, geographical, or political boundaries.”

This book written in 1997 presages much of what is going on today. The author uses the term “hypertext” to describe the textual networks of the Internet. While that word sounds outdated, the gist of it has relevance. Hypertext is shared text, linked text, common text. Blogging is a form of hypertext. From their niches blogs are woven into the greater body of the Net. Blogging is also a conversation. Search engines determine the relevance and popularity of a site based on its links. Complex algorithms pick up on strong and weak links and thereby rank the page. This essentially means that the search engine, that great, sacred filter of online knowledge, values conversation and exchange over private ownership. In essence, what is shared is of higher value than what is not.

Silvio talks about the two mindsets behind the print and online world:

“Individuals accustomed to an ethical system based on the book regard any infringement on their authorial rights or any use of a published text, without appropriate permission, as a moral and legal wrong . . . In contrast, individuals who have become accustomed to hypertextual exchange tend to regard any impediment to free exchange as a serious wrong. The free development and dissemination of knowledge is more important than always giving precise credit where credit is due.”

And here:

“Richard A. Lanham says that ‘electronic information seems to resist ownership’, and and Landow argues that ‘from the point of view of the author of hypertext, for whom collaboration and sharing are of the essence of ‘writing,’ restrictions on the availability of the text, like prohibitions against copying or linking, appear absurd, indeed immoral, constraints”.

So where do we stand on Internet Copyright Law? Should I feel guilty for posting the image above this article? I’m looking for answers.

Author: Chris Al-Aswad

Copyright Law and Society | Red Patent

Without copyright laws the publishing industry would come to a screeching halt. Already the music industry is caught in a bind over internet distribution. Yet there are some simple solutions to this p …

Copyright Law and Society | Red Patent

While Congress is spending millions studying the Drug War, Health Care, the Deficit and a myriad of other issues, the impact of an obsolete copyright law is far greater on society. On the corporate le …

 Mail this post

Technorati Tags: ,

What Is International Copyright Law?

Many people are surprised to learn there is no international copyright law. Yes, that is right. There is not an international copyright law that will protect your work on the other side of the world. However, it is important to note that most countries do offer some form of protection known as “foreign” works.

International conventions and treaties have done a lot to protect owners of copyrights around the world. With the world seemingly becoming smaller every day, the United States took a look at its stance on the European copyright treaty known as the Berne Convention. Basically, the Berne Convention of 1886 involved European nations coming together to seek a uniform copyright law to keep their copyright owners from having to register for copyrights in individuals European countries. The United States signed on to the Berne Convention introduced made it into a U.S. law known as the Berne Implementation Act of 1988.

If you are seeking to have your work protected in a particular country, you need to find out what kind of protection foreign authors have in that country. Some countries offer little or no protection to foreign authors. The U.S. Copyright Office is not allowed to give authors recommendations or the names of attorneys or agents that could help them understand foreign copyright laws. However, with a little investigation it is not hard to find someone who is an expert on foreign copyright law. These individuals can help you learn more about copyright protection and how your work is deemed in a foreign country.

Someone who works in international copyright law will tell you that it is different than most other sectors of law. It involves knowing the copyright law of two or more countries. Every country has their own way of granting and protecting someone’s copyright. The individual criteria of each country must be taken into consideration when you are dealing with international copyright law. Some countries do not have any intellectual property rights and some countries even grant more copyright protections than the United States. International copyright laws involve understanding international treaties and conventions, like the Berne Treaty and WIPO Copyright Treaty. If you are interested in pursuing a degree in law, you may want to explore the international copyright law sector. With the world becoming one big neighborhood, you will probably not lack work.

People with copyrighted works need to be aware that there are differences in the copyright laws in some nations. While it is true the United States has signed treaties with some nations, your work will not be protected in every country of the world. As stated, the United States is a member of the Berne Treaty. In addition, the United States is a member of the WIPO Copyright Treaty. This treaty works in conjunction with the Berne Treaty, yet it also covers and gives protection to databases and computer programs. If you would like more information on international copyright law, you should check with an attorney who specializes in international copyright law.

by Richard Cunningham

Copyright for bloggers « Law

A while back ago I prepared a plain-language article, given the title “Copyright Rules of the Road for Bloggers,” for the Copyright & New Media Law Newsletter.

CLE event: Copyright Law and Litigation

This class will provide you with an introduction to copyright law, litigation and a summary of recent developments in the field.

Is Balance The Right Standard For Judging Copyright Law?

The purpose of copyright law is to incentivize the creation of new content, and thus the standard on which copyright law should be judged is one where the creation of content is maximized.

 Mail this post

Technorati Tags: ,

How To Select The Right Auto Accident Lawyer

If you have been involved in a car accident in San Diego you should quickly contact a car accident attorney. If you or an occupant of your vehicle caused the accident you should call a san diego accident attorney for defense while the accident victim may need a San Diego car accident attorney to help them recover compensation for bodily injury and property damage. So, regardless of which side of the equation you’re on, an injury attorney will be helpful.

You should find a lawyer that has extensive experience representing individuals involved in auto accidents. When you find the right attorney you know you will be well represented because of their car accident case knowledge. If you elect to hire an attorney that doesn’t have adequate auto accident knowledge this will become apparent at the wrong time – your trial. If you fail to do your homework you end up hiring an attorney that has tried few car accident cases. If you work with an attorney that doesn’t have a positive track record with type of case its doubtful his record is going to change with you. However, the right San Diego attorney with the results to prove it, your case will be handled with care with a better chance of a positive outcome. Don’t be afraid to ask the hard questions when speaking to an attorney. By asking many questions you will have a better feel for how he works and whether he’s the right lawyer to represent you and your case.

At this stage you’re probably trying to decide the best method for finding the San Diego car accident attorney If you still use the yellow pages you may be able to find a local attorney there, but local business results in the search engines are the quickest and most efficient to find a lawyer. You may also view San Diego attorney websites and see what awards they have received, case results and even settlement figures. You should make sure you only work with a lawyer you’re comfortable working with. Auto accident cases take time so don’t put yourself in an awkward situation by working with the wrong San Diego accident attorney.

By: Jerry L. Work

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Illinois Car Accident Lawyers Plead for you to Stop Talking and …

Car Accident Attorneys Illinois Please remove mobile phones while driving. Cell phones have become almost a necessity for some people rather than convenience.

Car Accident? What does your policy cover? | Florida Accident …

If you are in a car accident in the Central Florida area, you may think that your full coverage will pay for all of the damages you sustained. As a.

Involved in a Car Accident in The Maddening Crowd of Boston?

A Boston Motor Vehicle Accident Attorney can help control the damages in case you were at fault and in case you were victim, a Boston Motor Vehicle Accident attorney can help you get the right compens …

 Mail this post

Technorati Tags: ,

Copyright and Patent Attorneys

Patent and copyright law can be difficult for laymen to understand completely. That is why you might need the services of an attorney to help you fill out the paperwork that will protect your patented or copyrighted materials.

Copyright Attorneys

Copyright attorneys might focus on a specific type of copyright law, so it is important to find one that has considerable experience in the issues that impact you most. Some of the attorneys might practice copyright law for music, while others might focus on books, articles, and other types of writing. There are many different types of copyrights that protect the intellectual rights of those who own materials, so it is often best to talk to several attorneys to help you choose one that can give you the services that are best for you.

Patent Attorneys

Getting a patent for your idea or product is an important way to protect yourself from intellectual property theft. If you have tried to patent an idea or product on your own, though, then you have probably discovered how overwhelming and complex it can be. The paperwork alone is often incredibly specific and expects those filling them out to understand patent law. Obviously, most laymen will have a hard time appealing to the patent office without the help of a skilled attorney.

Like copyright, there are many different types of patent law issues. Some of the patent attorneys in your area might have a background in aerodynamics that can help you or your company get a patent on new aircraft products. Others might have backgrounds in chemistry, mechanics, or other subjects that helps them understand the patenting process for that specific type of product and idea. If you can find a patent lawyer who fully understands and appreciates your plans and ideas, then you might have found one that can help you.

Choosing Reliable Copyright and Patent Attorneys

Talking to copyright and patent lawyers can tell you a lot about how much experience they have, but you always have to consider the possibility that they are blowing their accomplishments and abilities out of proportion. If you do not know much about legal issues, then you might not be able to determine the differences between effective attorneys and those that just want to make more money off unsuspecting people in need.

One good way to determine if copyright and patent attorneys are reliable is to ask them for references. Even a small list of references can be a powerful tool because it gives you access to the opinions of those who have already used the attorney’s services. If anyone should know how effective the attorneys are, it is those who have already hired them.

Finding Affordable Copyright and Patent Attorneys

Not all attorneys have the same skill level. Nor do they all charge the same price. You will want to get price quotes from the attorneys to help you determine which ones are affordable for your family or company. Balancing the costs with the available services will help you choose one that is right for you.

Author: David Done

 

Patent Lawyers Who Don’t Toe the Line Should Be Punished …

Why would any inventor or company want an anti-patent patent attorney like Stephan Kinsella, who seems to be the genesis of this story, and so many other anti-patent patent stories.

Responding to Critics: My View on Patents & Innovation …

I openly questioned how and why any individual or corporation would hire a patent attorney who does not believe in the patent system and seems to think that patents are bad, perhaps even evil

Copyright Lawyer | Attorney Geek

Choosing a patent or copyright attorney can be difficult, especially if you are already having legal… Los Angeles Copyright, Patent Attorney Referral 661-310-7999.

 Mail this post

Technorati Tags: ,